Azmina Jasani

Azmina is a Senior Associate in the Firm’s Art and Cultural Property Law Group and based in our London office.  She is dual qualified to practice law in New York and England and is ranked as a leading lawyer in the area of Art and Cultural Property Law.

Chambers and Partners ranked Azmina as an “Associate to Watch”, describing her as someone who “goes above her duty to make sure that the client is happy and understands all angles of the topic at hand” and who is “enthusias[tic]” about “being a lawyer and the field she works in”, while Legal 500 ranked Azmina as a “Next Generation Lawyer”, describing her as being “meticulous”, “client-oriented” and “well versed in both UK and US laws”.

Azmina acts for international collectors, large and small galleries, auction houses, professional advisers, dealers and financial institutions on contentious and non-contentious matters.

On the contentious side, Azmina represents clients in disputes involving claims of authenticity, title, looted or illegally exported cultural property (including Nazi-looted property), copyright infringement, and general contract and complex commercial disputes, including disputes between artists and galleries.

On the non-contentious side, Azmina advises clients on the sale and purchase of important works of art bought and sold privately or at auction, on consigning works to auction houses and galleries, on auction guarantees, on using art as collateral for loans, on loaning artworks to museums or special exhibitions, on copyright and other intellectual property rights, and on operating an e-commerce business, particularly online-only auctions.

Azmina also helps art businesses comply with various regulations, including import and export, data protection, bribery, introductory commissions and anti-money laundering.

Prior to joining Constantine Cannon, Azmina spent four years as an associate in the New York office of Withers Bergman LLP, where her primary focus was art litigation.  While at Withers, Azmina successfully litigated a seminal case in the area of copyright infringement and the fair use defense in the United States, Cariou-v-Prince, Gagosian Gallery and Gagosian.  She also spent two years as an associate in the New York Office of Schulte Roth & Zabel LLP, where she advocated on behalf of corporate and hedge fund clients on matters relating to securities fraud and contractual disputes.

Azmina received her J.D. from the University of California, Berkeley School of Law (Boalt Hall), and her B.A., summa cum laude, from Queens College, City University of New York.

Azmina regularly publishes articles on

Significant Representations

Advising Epiris LLP in relation to its acquisitions of Bonhams, an international auction house.

Successfully defended artist Claes Oldenburg against a frivolous claim of copyright infringement.

Successfully represented a private collector recoup his monies in an authenticity dispute with an auction house in relation to a work of art valued at approximately USD $5,000,000.

Acting for high end art collectors and international art galleries in the acquisitions and sale of art – in 2017 and 2018 the total value transacted was in excess of £200 million.

Cariou-v-Prince, Gagosian Gallery and Gagosian: Successfully defended Gagosian Gallery and Lawrence Gagosian in a landmark U.S. copyright infringement action relating to the question of fair use.  Helped persuade the United States Court of Appeals of the Second Circuit that 25 of the 30 secondary works at issue were protected as fair use, saving them from destruction under an injunction imposed by the lower court, and protecting the Gallery from claims of copyright infringement as well as a claim of vicarious and contributory infringement in relation to those works.

Successfully assisted Marlborough Gallery in estopping a fine art auction house from selling an inauthentic work of art that was wrongly attributed to artist Claudio Bravo, whose estate is represented by the Gallery.

Safflane Holdings Ltd. et al.-v-Gagosian Gallery, Inc.: Represented Gagosian Gallery in connection with a commercial dispute that arose as a result of Charles Cowles improper sale of a painting entitled “Innocent Eye Test” by Mark Tansey, which partially belonged to the Metropolitan Museum of Art.  Facilitated a complex settlement whereby all parties involved were made whole, and the painting was returned to the Met.


Azmina Jasani's Publications & Speeches

Citywealth Magazine - The Artful Dodger

Read Azmina Jasani's latest contribution to Citywealth Magazine, on the issues to consider before buying art here:        

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RICS Property Journal: July-August 2019

Read our senior associate Azmina Jasani's latest contribution to the RICS Property Journal.'A faithless servant' discusses the cases that reveals a hazy world of secret...

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Auction Guarantees: A Legal Perspective

Guest Lecturer, Auction Guarantees: A Legal Perspective, Institute of Art and Law, London (February 2019) Azmina gave a lecture at the Institute of Art and...

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Art and Private Clients

Speaker, Art and Private Clients, Russian Wealth Advisory Forum, Zurich (January 2019) Azmina chaired a panel at the Russian Wealth Advisory Forum in Zurich on...

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Circulation of Fraudulent Art in Emerging Art Markets

Speaker, Circulation of Fraudulent Art in Emerging Art Markets, Abu Dhabi Art Fair (November 2018).

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UK and US approach to copyright infringement

Speaker, UK and US approach to copyright infringement, Sotheby’s Institute of Art in New York (September 2018).

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U.S and the European approach to originality and copyright protection

Speaker; Authentication in Art, The Hague  (7 June 2018).

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The Art of Deaccessioning by Museums

Trust and Estates, Fifth Annual Special Report: Art, Auctions and Antiques, March 2018. Click here to read the article.

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Art Finance and Law

Guest Lecturer; LLM in Art, Business and Law Program at Queen Mary University of London Law School, February 2018.

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The Art of Lending

STEP JOURNAL, January 2018. Click here to read the article.

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The differences between the New York and London art markets from a legal perspective and what the future holds post Brexit and US elections

Speaker; Art Business Conference, New York, April 2017.

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Lending to Museums

Special Report: Art, Auctions & Antiques, Vol. 156 No., 3 March 2017. Click here to read the article.

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Free Agents?

Secret commissions and poorly defined relationships in art transactions pave the way for litigation, warn Pierre Valentin and Azmina Jasani Read Article

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Art, Auctions & Antiques: Lending to Museums

Public exhibitions thrive on the mutually beneficial relationship between private collectors and museums. For private collectors, lending artwork to museums confers numerous advantages. Read article...

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Free Agents? Secret commissions and poorly defined relationships in art transactions pave the way for litigation

RICS Property Journal, February 2017. Click here to read the article.

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Protecting the artist’s legacy

South Asian Art Market Report 2017. Click here to read the article.

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Small print, big issues

RICS, September 2016. Click here to read the article.

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Brexit and the British Art Market, August 2016. Click here to read the article.

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Copyright & Fair Use

Guest Lecturer, Courtauld Institute Law Society, London, March 2016.

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Guest Speaker, Art & Law Seminar

National Museum, Delhi, India, February 2016.

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Consumer Rights Act 2015, New Consumer Remedies: Be Prepared

Antiques Trade Gazette, October 2015. Click here to read the article.

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Fair Use Under US Law: Experience of the Cariou v Prince Litigation

Speaker; Institute of Art and Law, London, June 2015.

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